I worked on Season 4 of Game of Thrones, helping create Stannis Baratheon's encampment as his army prepared for battle in the frozen North.

The project was completed during my time at Skyward, where our team developed a series of matte paintings and final composites that were delivered to Atomic Fiction for integration into the show. The challenge was creating an environment that felt harsh, isolated, and capable of supporting an army on the edge of the known world. Rows of tents, defensive fortifications, and icy landscapes were carefully layered together to create the scale and atmosphere needed for the sequence.

What made the project especially memorable was the timing. Game of Thrones had become a global phenomenon, and it was exciting to contribute, even in a small way, to a world that audiences around the world were so deeply invested in.